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  • Professional Notes and Research Resources

Journal of African Cinemas is a new peer-reviewed journal. We are accepting submissions for Volume IV scheduled for 2011. The theme for this issue is The Many Cinemas of Africa.

For the past four decades, African cinema has been construed as a mode of filmic discourse that is understood historically but defined artistically. That is, the cinema’s concern is with information brought to light less by formal technique than by an implicit world view. However, the combination of ideology, philosophy, and pedagogy found in African films necessitates a requestioning of aesthetics and praxis of African cinematic narration. This issue will allow researchers and readers to crossreference the various debates on African Cinema that have taken place in many books, journals, and conferences.

Themes of the issue will include:

  • ▸. The problem of defining “African Cinema” and “African Cinemas”

  • ▸. National and Transnational Cinemas

  • ▸. Marginal Cinemas and their Antecedents

  • ▸. Narratives of Resistance: Liberationist Cinema

  • ▸. Cinema of Difficult Dialogues

  • ▸. The Ethno-Phonic Cinemas: Language and the Nation

  • ▸. Anthropology and African Cinema: The Colonial Cinema

  • ▸. Third Cinema and African Filmic Narratives

  • ▸. Indigenous Cinema and African Cinematic Ideas

  • ▸. Essentialism in African Cinema: Calabash Cinema

  • ▸. Distribution, Exhibition, and Marketing the African Film

  • ▸. New Media and African Cinematic Ideas

  • ▸. The Meta-Narrative of Development and the African Film

  • ▸. Landscapes and Cinematic Narratives in Africa

  • ▸. Authorial Cinemas of Africa

The editors are looking for submissions for theoretical essays, reviews, and comparative analyses regarding African cinema through its historical [End Page 202] and contemporary legacies. The editors recognize the shifting paradigms that have defined and continue to define African cinemas and are looking for papers that will expound on the identity/identities of Africa and how that perception is interrogated within African film languages.

Articles of up to 6,000 words will be considered. Please send both digital and hard copies to either one of the editors:

  • Keyan G. Tomaselli

  • CCMS, University of KwaZulu-Natal

  • Howard College Campus

  • Durban 4041

  • South Africa

  • tomasell@ukzn.ac.za

  • Martin Mhando

  • Intellect, The Mill

  • Parnall Road

  • Fishponds

  • Bristol BS16 3JG

  • United Kingdom

  • mhando@murdoch.edu.au

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