In lieu of an abstract, here is a brief excerpt of the content:

Studies in English Literature 1500–1900 Volume 49, 2009 CONTENTS Abstracts, Autumn 1065 Abstracts, Spring 545 Abstracts, Summer 803 Abstracts, Winter 281 Argyle, Gisela, “George Meredith’s Fictional Transformations of Female Life-Writings” 975 Backscheider, Paula, “Recent Studies in the Restoration and Eighteenth Century” 737 Baudot, Laura, “What Not to Avoid in Swift’s ‘The Lady’s Dressing Room’” 637 Bicks, Caroline, “Staging the Jesuitess in A Game at Chess” 463 Brown, Piers, “Donne’s Hawkings” 67 Cocola, Jim, “Renunciations of Rhyme in Byron’s Don Juan” 841 Cohen, Derek, “The Malignant Scapegoats of King Lear” 371 Curran, John E., Jr., “Jacob and Esau and the Iconoclasm of Merit” 285 Dobranski, Stephen B., “Recent Studies in the English Renaissance” 197 Evans, Kasey, “How Temperance Becomes ‘Blood Guiltie’ in The Faerie Queene” 35 Fawcett, Christina, “The Orphic Singer of Milton’s ‘Nativity Ode’” 105 Forsyth, V. L., “The Two Arcadias of Sidney’s Two Arcadias” 1 Gibbons, Daniel R., “Thomas Heywood in the House of the Wise-woman” 391 Gillingham, Lauren, “Ainsworth’s Jack Sheppard and the Crimes of History” 879 Hamm, Robert B., Jr., “Hamlet and Horace Walpole’s The Castle of Otranto” 667 Harkins, Matthew, “Making ‘Young Hamlet’” 333 Hayden, Judy A., “Harlequin, the Whigs, and William Mountfort’s Doctor Faustus” 573 Hillard, Molly Clark, “Dickens’s Little Red Riding Hood and Other Waterside Characters” 945 Hillier, Russell M., “Spatial Allegory and Creation Old and New in Milton’s Hexaemeral Narrative” 121 Hustis, Harriet, “Hyding Nietzsche in Robert Louis Stevenson’s Gothic of Philosophy” 993 Joshi, Priti, “Masculinity and Gossip in Anne Brontë’s Tenant” 907 Kucich, John, see under Sadoff 1009 Lawson, Kate, and Lynn Shakinovsky, “Fantasies of National Identification in Villette” 925 MacFaul, Tom, “Friendship in Sidney’s Arcadias” 17 Minear, Erin, “Music and the Crisis of Meaning in Othello” 355 Morrison, Sarah R., “The Accommodating Serpent and God’s Grace in Paradise Lost” 173 Narain, Mona, “Dean Mahomet’s Travels, Border Crossings, and the Narrative of Alterity” 693 Nielsen, Wendy C., “Boadicea Onstage before 1800, a Theatrical and Colonial History” 595 Nolan-Grant, Candace, “Jane Austen’s Speech Acts and Language-Based Societies” 863 Pickett, Holly Crawford, “Dramatic Nostalgia and Spectacular Conversion in Dekker and Massinger’s The Virgin Martyr” 437 Sadoff, Dianne F., and John Kucich, “Recent Studies in the Nineteenth Century” 1009 Saglia, Diego, “Commerce, Luxury, and Identity in Mary Robinson’s Memoirs” 717 Shakinovsky, Lynn, see under Lawson 925 Shanahan, John, “Theatrical Space and Scientific Space in Thomas Shadwell’s Virtuoso” 549 Shawcross, John T., “Using the Thomason Tracts and Their Significance for Milton Studies” 145 St. Hilaire, Danielle A., “Allusion and Sacrifice in Titus Andronicus” 311 Stage, Kelly J., “The Roaring Girl’s London Spaces” 417 Syba, Michelle, “After Design: Joseph Addison Discovers Beauties” 615 Tranter, Kirsten, “Samuel Sheppard’s Faerie King and the Fragmentation of Royalist Epic” 87 White, Harry, “Coleridge’s Uncertain Agony” 807 White, Paul Whitfield, “Recent Studies in Tudor and Stuart Drama” 485 ...

pdf

Share