Abstract

By subverting the visual, Beth Gill's choreography opens danced performance to a broader field of sensation. Through this feminist strategy, her piece revisits foundational questions about the politics of perception and dance production.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 171-176
Launched on MUSE
2009-11-01
Open Access
No
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