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  • Chick Strand


Angel Blue Sweet Wings. 16mm, color/sound, 3 min. 1966.

Anselmo. 16mm, color/sound, 4 min. 1967.

Waterfall. 16mm, color/sound, 3 min. 1967.

Mosori Monika. 16mm, color/sound, 20 min. 1970.

Cosas De Mi Vida. 16mm, color/sound, 25 min. 1976.

Elasticity. 16mm, color/sound, 25 min. 1976.

Guacamole. 16mm, color/sound, 10 min. 1976.

Mujer De Milfuegos (Woman of A Thousand Fires). 16mm, color/sound, 15 min. 1976.

Cartoon Le Mousse. 16mm, black and white/sound, 15 min. 1979.

Fever Dream. 16mm, black and white/sound, 7 min. 1979.

Kristallnacht. 16mm, black and white/sound, 7 min. 1979.

Loose Ends. 16mm, black and white/sound, 25 min. 1979.

Soft Fiction. 16mm, black and white/sound, 54 min. 1979.

Tierra Incognita. 16mm, color/sound, 6 min. 1986.

Artificial Paradise. 16mm, color/sound, 12.5 min. 1986.

Coming Up For Air. 16mm, color/sound, 26.5 min. 1986.

Fake Fruit. 16mm, color/sound, 22 min. 1986.

By The Lake. 16mm, color/sound, 9.5 min. 1986.

Anselmo and The Women, 16mm, color/sound, 35 m, 1986.

Chick Strand Distribution

  • Canyon Cinema

    2325 3rd Street Suite 338

    San Francisco, CA 94107

    tel: 415-626-2255

  • New York Filmmakers Cooperative

    175 Lexington

    New York, NY 10016

    tel: 212-889-3820

Publications by Chick Strand

“Chick Strand on Chick Strand.” Up to Speed (1976).

“Chick Strand at the Cinematheque.” Cinemanews no. 80–3/4/5:10–17.

“Chick Strand’s Recollection of Canyon Cinema’s Early Beginnings with Added Commentary from Chick Callenback.” Canyon Cinemanews no. 76–2:7.

“Dream.” Dreamworks (spring 1980).

“Experimental/Ethnographic.” Athens Festival Journal, 1977.

“Film Studies at Occidental College.” In Barry Keith Grant, ed., Film Study in the Undergraduate Program, 81–87. (New York: Modern Language Association, 1983).

“Notes on Ethnographic Film.” Wide Angle (Spring 1978): 44–51.

“On Romance.” New Magazine (March 1977): 6–8.

“Woman as Ethnographic Filmmaker.” Journal of Visual Anthropology (Spring 1974): 16.

“Work in Progress.” Women and Film no. 7 (1975): 86–87.

Selected Bibliography

Callenbach, Ellie. “Film Review: Mosori Monika.” Film Quarterly (Winter 1971–72): 57.

Carroll, Noel. “Sympahthetic Cinema.” Soho Weekly News (February 23, 1978).

Dargis, Manohla. “Chick Strand.” LA Weekly, April 25–May 1, 1997, 62.

Eder, Richard. “The Screen: Cultural Intrusion.” New York Times, December 10, 1976, 10.

Hausheer, Cecilia and Christoph Settele. Found Footage Film. Luzern: Viper/zyklop verlag, 1993.

Gaffrey, Jace. “Off the Beaten Tracks with Chick Strand.” Village Voice, December 27, 1976, 47.

James, David. “Light and Lost Bells.” Journal Southern California Art Magazine (Summer 1981): 55–58.

Kinder, Marsha and Beverle Houston. Self and Cineman: A Transformalist Perspective. New York: Redgrave Publishing Co., 1980.

Kinder, Marsha. “Soft Fiction Review.” Film Quarterly (Spring 1980): 50–57.

Leimbacher, Irina. Chick Strand: Seeing in Between. Berkeley: Pacific Film Archive, 1994. Exhibition brochure.

Mekas, Jonas. “Movie Journal.” The Soho Weekly News, October 28, 1976, 32.

Millsapps, Jan. “Partially an Interview with Chick Strand.” Independent Spirit (Fall 1981): 8.

Nelson, D. “Imagery of the Archetypal Feminine in the Works of Six Women Filmmakers.” Quarterly Review Film Studio (Fall 1978): 495–507.

Nelson, Gunvor. “Conversation with Chick Strand.” Cinemanews no. 1980–3/4/5: 17–22.

Peterson, Vicki Z. “Two Films by Chcik Strand.” Millenium Film Journal, no. 2, (Spring/Summer 1978): 110.

Renan, Sheldon. An Introduction to American Underground Film. New York: Dutton, 1967.

Reveaux, Anthony. “Film: Chick Strand,” Artweek (January 24, 1976): 13.

Smith, Sharon. Women Who Make Movies. New York: Hopkinson and Blake, 1975.

Wees, William C. Recycled Images: The Art and Politics of Found Footage Films. New York: Anthology Film Archives, 1993.


Additional Information

Print ISSN
pp. 144-145
Launched on MUSE
Open Access
Archive Status
Ceased Publication
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