Books Received

Baer, Ulrich. Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan. Cultural Memory in the Present. Stanford, Calif.: Stanford University Press, 2000.

Bharucha, Rustom. The Politics of Cultural Practice: Thinking through Theatre in an Age of Globalization. Hanover, N.H.: University Press of New England, 2000.

Bruster, Douglas. Quoting Shakespeare: Form and Culture in Early Modern Drama. Lincoln: University of Nebraska Press, 2000.

Couldry, Nick. Inside Culture: Re-imagining the Method of Cultural Studies. London: SAGE Publications, 2000.

Dirlik, Arif, and Xudong Zhang, eds. Postmodernism and China. Durham, N.C.: Duke University Press, 2000.

Driscoll, Lawrence. Reconsidering Drugs: Mapping Victorian and Modern Drug Discourses. New York: PALGRAVE, 2000.

Glynn, Kevin. Tabloid Culture: Trash Taste, Popular Power, and the Transformation of American Television. Console-ing Passions. Durham, N.C.: Duke University Press, 2000.

GoGwilt, Christopher. The Fiction of Geopolitics: Afterimages of Culture, from Wilkie Collins to Alfred Hitchcock. Stanford, Calif.: Stanford University Press, 2000.

Grouev, Ivaylo, ed. Bullets on the Water: Refugee Stories. Montreal: McGill-Queen’s University Press, 2000.

Gundle, Stephen. Between Hollywood and Moscow: The Italian Communists and the Challenge of Mass Culture, 1943–1991. American Encounters/Global Interactions. Durham, N.C.: Duke University Press, 2000.

Handley, George B. Postslavery Literatures in the Americas: Family Portraits in Black and White. New World Studies. Charlottesville: University Press of Virginia, 2000.

Hansen, Mark. Embodying Technesis: Technology beyond Writing. Studies in Literature and Science. Ann Arbor: University of Michigan Press, 2000.

Harries, Martin. Scare Quotes from Shakespeare: Marx, Keyns, and the Language of Reenchantment. Stanford, Calif.: Stanford University Press, 2000.

Helmling, Steven. The Success and Failure of Fredric Jameson: Writing, the Sublime, and the Dialectic of Critique. SUNY Series on the Sublime. Albany: State University of New York Press, 2001.

Hilgartner, Stephen. Science on Stage: Expert Advice as Public Drama. Writing Science. Stanford, Calif.: Stanford University Press, 2000.

Hulme, Peter, and William H. Sherman, eds. “The Tempest” and Its Travels. Philadelphia: University of Pennsylvania Press, 2000.

Hunt, Maurice, ed. Approaches to Teaching Shakespeare’s “Romeo and Juliet.” Approaches to Teaching World Literature. New York: Modern Language Association, 2000.

King, Deborah Walker, ed. Body Politics and the Fictional Double. Bloomington: Indiana University Press, 2000.

Landy, Marcia, ed. The Historical Film: History and Memory in Media. Rutgers Depth of Field. New Brunswick, N.J.: Rutgers University Press, 2001.

Lawler, Justus George. Hopkins Re-Constructed: Life, Poetry, and the Tradition. New York: Continuum, 2000.

Litzinger, Ralph A. Other Chinas: The Yao and the Politics of National Belonging. Durham, N.C.: Duke University Press, 2000.

Majid, Anouar. Unveiling Traditions: Postcolonial Islam in a Polycentric World. Durham, N.C.: Duke University Press, 2000.

Marsh, Nicholas. D. H. Lawrence: The Novels. Analyzing Texts. New York: St. Martin’s Press, 2000.

Maxwell, Marilyn. Male Rage, Female Fury: Gender and Violence in Contemporary American Fiction. Lanham, Md.: University Press of America, 2000.

Monte, Steven. Invisible Fences: Prose Poetry as a Genre in French and American Literature. Lincoln: University of Nebraska Press, 2000.

Natoli, Joseph. Postmodern Journeys: Film and Culture, 1996–1998. SUNY Series in Postmodern Culture. Albany: State University of New York Press, 2001.

Neill, Michael. Putting History to the Question: Power, Politics, and Society in English Renaissance Drama. New York: Columbia University Press, 2000.

Nicole, Robert. The Word, the Pen, and the Pistol: Literature and Power in Tahiti. SUNY Series on the Sublime. Albany: State University of New York Press, 2001.

O’Donnell, Patrick. Latent Destinies: Cultural Paranoia and Contemporary U.S. Narrative. New Americanists. Durham, N.C.: Duke University Press, 2000.

Olkowski, Dorothea, ed. Resistance, Flight, Creation: Feminist Enactments of French Philosophy. Ithaca, N.Y.: Cornell University Press, 2000.

Palmer, Bryan D. Cultures of Darkness: Night Travels in the Histories of Transgression. New York: Monthly Review Press, 2000.

Procter, James, ed. Writing Black Britain, 1948–1998: An Interdisciplinary Anthology. Manchester, UK: Manchester University Press, 2000. Distributed in U.S. by St. Martin’s.

Rado, Lisa. The Modern Androgyne Imagination: A Failed Sublime. Charlottesville: University Press of Virginia, 2000.

Sandoval, Chela. Methodology of the Oppressed. Theory Out of Bounds. Minneapolis: University of Minnesota Press, 2000.

Schiebinger, Londa, ed...