Abstract

In the aftermath of the genocide wrought in the 1970s by the Khmer Rouge, some Cambodians told themselves that dance was the reason for their survival. Hamera investigates the fraught relations between history, trauma, and truth. At stake is the survival of a family--and of a culture.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 65-85
Launched on MUSE
2002-11-27
Open Access
No
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