Abstract

Toni Braxton brought an unexpected and improvisational variable to the controlled, closed system of Disney's Broadway hit, Beauty and the Beast. The magical Braxton sultriness threatened to radically deconstruct the production, exposing the Disney project as a whole.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 54-81
Launched on MUSE
2002-08-01
Open Access
No
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