On Material II Fautrier

Hijikata Tatsumi

Establish a study of different movements and promote fusion, not contrast The mixture of a [beast?] body of female [illegible] in Princess Kaguya² is clear on this point This needs to be developed further.

sunstroke — a melting person a person of the Flamand³

Extension and ways of melting get sooty — Moreau⁴ — slender branches how Bacon's⁵ face melts mud

• a person composed of particles and tactile sensation

• his skull is packed with branches

• small branches in his head snap

• a bird flies from his temple

• an extending neck

• a slug crawling along his backbone

• a flying grasshopper

• a stick

• a sunflower

• a forehead

• a puddle on the sole of the foot

• insects in space

• people melted in furnaces in Auschwitz

• grass turning pale

Frequent memos urge making it short They are probably urgings not about time but the density of material

When, no matter what, the development of movements falls into a pattern, [how one cap-tures?] nerves becomes so, there is a danger of their being tied together only by contrast with differing vocabularies

So I convey these exercises only as a condition for forming a mere body.