Abstract

"Complete" and "authentic" were terms frequently used to describe the fifty-five-scene production of Tang Xianzu'sa Peony Pavilion directed by Chen Shi-Zhengi for the Lincoln Center Festival. David Rolston attended one of the New York performances and explores how this production relates to the performance tradition and what influence it might have on future productions.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 134-146
Launched on MUSE
2002-03-01
Open Access
No
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