Abstract

Marlene Pitkow discusses a kathakali play, The Salvation of Putana, as an exemplar of that classical Indian form. Through her investigation of this solo piece in performance, she demonstrates varying structural principles of kathakali.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 238-248
Launched on MUSE
2001-09-01
Open Access
No
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