Abstract

Though it reflects on the play of Paine's name and links it can establish, this essay is concerned with the role of fiction in the performativity of texts, both literary and nonliterary, and especially texts which, like Thomas Paine's Common Sense, affect to abjure any literariness for their political efficacy. The author reads Paine with Blanchot in elucidating the power of a certain fictionality, at work for instance in the performatives that found a democratic nation.

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Additional Information

ISSN
1080-6539
Print ISSN
0300-7162
Pages
pp. 30-43
Launched on MUSE
2009-09-17
Open Access
No
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