Contributors
- Contributors
Douglas Bruster teaches at the University of Texas at Austin and is the author of Drama and the Market in the Age of Shakespeare (1992), Quoting Shakespeare: Form and Culture in Early Modern Drama (2000), and Cultural Shakespeare: Literature in Early Modern England after the Cultural Turn (forthcoming).
John D. Cox, Professor of English at Hope College, recently published The Devil and the Sacred in English Drama 1350-1640 (2000) and co-edited, with Eric Rasmussen, the Arden3 edition of 3 Henry VI.
Michael D. Friedman, Professor of English in the Center for Literature and Performing Arts at the University of Scranton, is the author of “The World Must Be Peopled”: Shakespeare's Comedies of Forgiveness (forthcoming).
Mary C. Fuller, Associate Professor of English at the Massachusetts Institute of Technology, is currently working on a study of Richard Hakluyt’s Principal Navigations of the English Nation.
Werner Habicht, Professor Emeritus at the University of Würzburg, Germany, is the author of Studien zur Dramenform vor Shakespeare (1968) and many studies on English literature and Shakespeare reception; he is also the former editor of Shakespeare Jahrbuch.
Richard Halpern is Professor of English at the University of California at Berkeley.
Jonathan Gil Harris, Associate Professor of English at Ithaca College, is the author of Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early Modern England (1998) and the co-editor, with Natasha Korda, of Staged Properties in Early Modern English Drama (forthcoming). He is currently at work on a book called Etiologies of the Economy: Dramas of Mercantilism and Disease in the Age of Shakespeare. [End Page 538]
Skiles Howard is the author of The Politics of Courtly Dancing in Early Modern England (1998), and coeditor, with Gail Kern Paster, of A Midsummer Night’s Dream for Bedford Books’ Texts and Contexts series (1999); she teaches at Rutgers University, New Brunswick.
MacDonald P. Jackson, Professor of English at the University of Auckland, is a contributor to the Oxford edition of Middleton's Complete Works and to the Cambridge edition of Webster's Complete Works; he has recently published several articles on Shakespeare's Sonnets.
Coppélia Kahn, Professor of English at Brown University, is the author of Roman Shakespeare: Warriors, Wounds, and Women (1997). Her edition of The Roaring Girl is forthcoming in the Oxford Collected Works of Thomas Middleton.
Lawrence Manley, Professor of English at Yale University, is the author of Literature and Culture in Early Modern England (1995).
Ian Frederick Moulton, Associate Professor at Arizona State University West, is the author of Before Pornography: Erotic Writing in Early Modern England (2000).
Michael Neill, Professor of English at the University of Auckland, New Zealand, is the author of Issues of Death (1997) and Putting History to the Question (2000). He has edited Anthony and Cleopatra for the Oxford Shakespeare (1994) and is currently preparing Othello for the same series.
Margaret Orbell, formerly Associate Professor at the University of Canterbury, is a leading interpreter of Māori culture; her many collections include Traditional Songs of the Māori (1975, 1990, with Mervyn McLean), Māori Poetry: An Introductory Anthology (1978), and Waiate: Māori Songs in History (1991).
Merimeri Penfold of Ngāti Kurī is Kuia of the Waipapa Marae at the University of Auckland, where she was Senior Lecturer in the Department of Māori Studies. A distinguished poet, she is the author of numerous waiata and haka and is soon to publish the first novel in the Māori language.
Phyllis Rackin’s most recent books are Stages of History: Shakespeare’s English Chronicles (1990) and, with Jean E. Howard, Engendering a Nation: A Feminist Account [End Page 539] of Shakespeare’s English Histories (1997); her current project is a book on Shakespeare and women for Oxford University Press.
Nicholas F. Radel is Professor of English at Furman University. He has written articles on Shakespeare, early modern drama, and queer theory in such journals as Shakespeare Quarterly, Medieval and Renaissance Drama in England, and Renaissance Drama.
Katherine Rowe, Associate Professor of English at Bryn Mawr, is the author of Dead Hands: Fictions of Agency, Renaissance to Modern (1999), as well as articles on Renaissance drama and...
