Abstract

The arts suffered no crisis in the middle of the seventeenth century, although major changes in style took place around the year 1600. However, a crisis of representation that began in natural philosophy was eventually to become more general. A contrast in tone or mood that was evident between the arts in the first and the second half of the century may be interpreted as a response to economic, social, and political crises.

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Additional Information

ISSN
1530-9169
Print ISSN
0022-1953
Pages
pp. 239-261
Launched on MUSE
2009-08-06
Open Access
No
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