In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

Jonathan L. Beller, visiting assistant professor of history of consciousness and literature, University of California at Santa Cruz, is the author of “Dziga Vertov and the Film of Money,” boundary 2 (1999).

Joan Kee, a fellow at the New York University International Center for Advanced Studies, is completing a work on the notion of Seoul as a fictitious global metropolis.

Kyung Hyun Kim is assistant professor of East Asian languages and literature, University of California at Irvine, and coeditor of Im Kwon-taek: The Making of a Korean National Cinema (2001).

Helen Hok-sze Leung, Killam postdoctoral fellow in Asian studies, the University of British Columbia, is developing a book manuscript on sexual dissidence in contemporary Hong Kong cinema.

Bliss (Felicidad) Cua Lim, assistant professor of film studies at the University of California, Irvine, is writing on fantastic cinema and the philosophy of history; her recent work on film appears in Camera Obscura and the Velvet Light Trap.

Gina Marchetti, associate professor of cinema and photography, Ithaca College, is the author of Romance and the “Yellow Peril”: Race, Sex, and Discursive Strategies in Hollywood Fiction (1993).

Susan J. Napier, professor of Asian studies, University of Texas, is the author of Anime from Akira to Princess Mononoke (2001).

Esther C. M. Yau, associate professor of film and new media at Occidental College, is the editor of At Full Speed: Hong Kong Cinema in a Borderless World (2001).



Additional Information

Print ISSN
pp. 495-496
Launched on MUSE
Open Access
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.