Index to Volume 2

INDEX TO VOLUME 2 Articles Anderson, Tim J., As if History was Merely a Record: the pathology of nostalgia and the figure of the recording in contemporary popular cinema, 51 Hennion, Antoine, trans. Jérôme Hansen, The Musicalisation of Visual Arts (1997), 175 Smith, Jacob, Tearing Speech to Pieces: Voice Technologies of the 1940s, 183 Winters, Ben, Corporeality, Musical Heartbeats, and Cinematic Emotion, 3 Woods, Faye, Nostalgia, Music and the Television Past Revisited in American Dreams, 27 Position Papers Barnier, Martin, The Sound of the First French Television Advertisements, 149 Fleeger, Jennifer, Projecting an Aria, Singing the Cinema: In search of a shared vocabulary for opera and film studies, 121 Grajeda, Tony and Beck, Jay, Introduction: The Future of Sound Studies, 109 Hilmes, Michele, Television Sound: Why the Silence?, 153 Kerins, Mark, A Statement on Sound Studies, 115 Kulezic-Wilson, Danijela, Sound Design is the New Score, 127 Mattern, Shannon, and Salmon, Barry, Sound Studies: Framing Noise, 139 Redner, Gregg, Building a Deleuzian Bridge Between Music and Film Theories, 133 Sterne, Jonathan, Being ‘In the True’ of Sound Studies, 163 Whitney, Allison, Cultivating Sonic Literacy in the Humanities Classroom, 145 Wurtzler, Steve J., One Future of Sound Studies Fits into the Palm of Your Hand, 169 Reviews Bellis, Richard, The Emerging Film Composer: An Introduction to the People, Problems and Psychology of the Film Music Business, BRIAN LOCK, 91 Conrich, Ian, and Tincknell, Estella (eds.), Film’s Musical Moments, CATHERINE HAWORTH, 83 Funnell, John, Best Songs of the Movies: Academy Award Nominees and Winners, 1934–1958, STEVE LANNIN, 97 Harvey, Adam, The Soundtracks of Woody Allen: A Complete Guide to the Songs and Music in Every Film, 1969–2005, STEVE LANNIN, 97 Kalinak, Kathryn, How the West was Sung: Music in the Films of John Ford, KEVIN DONNELLY, 77 Richardson, John, and Hawkins, Stan (eds.), Essays On Sound And Vision, KATHRYN KALINAK, 101 Scheurer, Timothy E., Music and Mythmaking in Film: Genre and the Role of the Composer, BRIAN LOCK, 91 Spadoni, Robert, Uncanny Bodies. The Coming of Sound Film and the Origins of the Horror Genre, REYNOLD HUMPHRIES, 207 Wurtzler, Steve J., Electric Sounds: Technological Change and the Rise of Corporate Mass Media, BENJAMIN WRIGHT, 213 Whittington, William, Sound Design and Science Fiction, BENJAMIN WRIGHT, 213 224 2:2 Autumn 08 MSMI ...