Abstract

The hybrid nature of African dramatic theater has created challenges to African playwrights in the perspective of audience/actor interaction and audience participation. The need to harmonize the European form and the African context has resulted in a new concept of theater audience. The African theater audience is classified into two categories: "the integral" and "the integrated." For an exhaustive discussion on these categories, Femi Osofisan's plays are used.

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Additional Information

ISSN
1527-2044
Print ISSN
0034-5210
Pages
pp. 175-185
Launched on MUSE
2009-07-08
Open Access
No
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