Color Plates

Color Plate A

Cathy Treadaway and Alison F. Bell, Kilmory, digital print on silk satin, 200 × 120 cm, 2004. (© Cathy Treadaway and Alison F. Bell)

Color Plate B

Marcos Novak, 4D space in Dancing with the Virtual Dervish, 1996. (© Marcos Novak) ( See article by Cami Nelson.)

Color Plate C

Char Davies, Osmose, 1995. (© Char Davies) Vertical tree, digital still image captured during immersive performance of the Osmose virtual environment. ( See article by Cami Nelson.)

Color Plate D

No. 1. Paul Thomas, still section of the Midas installation's interface of the 3D modeled 50-×-50-cm 9-karat gold-coated metal cast skin cell at Enter 3 (Prague, 2007). (© Paul Thomas)

No. 2. Paul Thomas, still image capture from the Midas installation of a single cell; a genetic algorithm was written for semi-autonomous self-organizing nanobots to affect the digital image. (© Paul Thomas)

Color Plate E

Alex Jung, Dagmar Reinhardt, Joanne Jakovich, Phil Granger, Trivet Fields, modular sensate installation, 2006. (© Alex Jung, Dagmar Reinhardt, Joanne Jakovich, Phil Granger) The sensory network is activated by gestural interaction around the modules. The Field remembers the traces of past visitors trespassing or stroking the electric animal. When the animal dreams, it retraces the gentle strokes and the lights then flash or blink [an auditory sigh] in the night. ( See article by Dagmar Reinhardt and Joanne Jakovich.)

Color Plate F

Hafez Modirzadeh, tuning systems cross during rehearsal, while M. Zoufonoun is accompanied improvising in the Persian mode of Nava. Consort members left to right are: Timothy Volpicella, guitar; Tom Edler, bass; royal hartigan, drums; Mahmoud Zoufonoun, violin; Ken Filiano, bass. Saint Gregory's of Nyssa, San Francisco, 18 August 2007. (Photo © Andy Nozaka)

Color Plate G

No. 1. Thecla Schiphorst, the <extend> workshop: creating one larger body. (© Thecla Schiphorst)

No. 2. Thecla Schiphorst, exhale skirt with LED array and RFID. (© Thecla Schiphorst)