Abstract

Chinese multimedia artist Qiu Zhijie's "total art" exhibition, The Ataraxic of Zhuang Zi, combines cultural fieldwork, historical documentation, sociological investigation, and cross-media artworks to intervene into the disturbing phenomenon that has turned the Nanjing Yangzi River Bridge into China's most popular suicide location.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 17-34
Launched on MUSE
2009-05-06
Open Access
No
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