Abstract

In the summer of 2008, French performance artist ORLAN launched a large-scale political, psychoanalytic, and philosophical meditation on the roles of artist and spectator in the installation Suture, Hybridization, Recyclage, bringing together a new kind of biogenetic fusion process; work by young Spanish designer David Delfin (Davidelfin); a text by philosopher Michel Serres; and furniture by designer Philippe Starck.

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