Critical Acts

Art-or at least the kind we most like to write about-is almost always political, whether it is inter/national or personal; and though TDR has already taken this up in its "War and Other Bad Shit" issue, the topic remains center stage. In his review of Danish theatre troupe Dood Paard's medEia, Jacob Gallagher-Ross notes the emergence of "a new age of the chorus" in which spectatorship becomes inseparable from paralyzed witnessing and Medea's tragedy is reconceived as a metaphor for the West's tragic relations with the East. Laurietz Seda explores Guillermo Gómez-Peña's recent performance/installation Mapa/Corpo 2: Interactive Rituals for the New Millennium, a fluid piece that, like much of This 1919 poster takes its slogan from a poem by Paul Zech warning Berlin to "Stop and think! Your dance partner is Death." See "Berlin...Your Dance Partner Is Death" by Kate Elswit. (Courtesy of the Hoover Institution on War and Revolution, Poster Collection GE 2361) the artist's recent work, addresses the xenophobia and "war on difference" that underlies the US's ongoing War on Terror. The Burmese stand-up trio the Moustache Brothers is the subject of Xan Colman and Tamara Searle's personal account of how performance can be both art and resistance in a contradictory and charged political regime.