Abstract

The psychoanalytic framework of incorporation and introjection is used to account for some of the most uncanny aspects of La Femme sans sépulture. This article explores different ways in which the narrative constantly hovers between incorporation and introjection.

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Additional Information

ISSN
1931-0234
Print ISSN
0014-0767
Pages
pp. 81-91
Launched on MUSE
2009-01-07
Open Access
No
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