Abstract

This article considers Djebar’s L’Amour, la fantasia as a springboard for an inquiry into the eros of autobiographical writing and the libidinal economy of home. The author argues that the politics of this work must be understood in light of Djebar’s narrative reconfiguration of home as a structure of desire.

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Additional Information

ISSN
1931-0234
Print ISSN
0014-0767
Pages
pp. 56-68
Launched on MUSE
2009-01-07
Open Access
No
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