Contributors to This Issue

Alan W. Agol, retired teacher of humanities; Silver Life Master at bridge; puzzle constructor

William Ashbrook, editor emeritus, The Opera Quarterly; author; lecturer

Robert Baxter, critic; radio commentator

Bruce Burroughs, editor emeritus, The Opera Quarterly; critic; author

Eugene H. Cropsey, freelance writer; author

William A. Everett, assistant professor of music history, University of Missouri-Kansas City

Andrew Farkas, director of libraries, University of North Florida

William Fregosi, technical coordinator for Theatre Arts, Massachusetts Institute of Technology

Roland Graeme, critic; author

George Jellinek, author; critic; host of the nationally syndicated radio program The Vocal Scene

Tom Kaufman, consultant in regulatory affairs; freelance writer; authority on performance history; author

Joe K. Law, book review editor, The Opera Quarterly; coordinator of writing across the curriculum and associate professor of English, Wright State University

Elizabeth Nash, associate professor of speech/singing, University of Minnesota

Roger Pines, editorial dramaturg, Lyric Opera of Chicago

René Seghers, Amsterdam-based writer; photographer

James Wierzbicki, a musicologist-critic specializing in eighteenth-century opera and film music; member of the music department, University of California-Irvine

Stephen A. Willier, professor of music, Temple University