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  • Notes on Contributors

Jess Bowie is joint winner for 2008 of the Cambridge Quarterly Prize for the best dissertation submitted for the final Cambridge University English honours examination. She is now studying for a Postgraduate Diploma in Magazine Journalism at City University, London. She hopes to pursue a career writing features, specialising in the Arts.

Bert Cardullo is Professor of Media and Communication at the Izmir University of Economics in Izmir, Turkey. He is the author, editor, or translator of more than thirty books, the most recent of which are The Movies on My Mind: Selected Criticism, 2002-2007 and Soundings on Cinema: Speaking to Film Art and Film Artists.

David Ellis is an emeritus professor of English at the University of Kent. His latest publications are Shakespeare's Practical Jokes (Bucknell University Press, 2007) and Death and the author: how D. H. Lawrence died, and was remembered (Oxford University Press, 2008).

Douglas Field is Senior Lecturer in Contemporary Literature and Culture at Staffordshire University. He is the editor of American Cold War Culture (Edinburgh University Press, 2005) and of the forthcoming A Historical Guide to James Baldwin (Oxford University Press). He is writing a book on James Baldwin for the Writers and Their Work series, and is the book review editor for Callaloo.

Damian Love is a freelance copy-editor, proofreader and independent scholar.

Thomas Marks is writing a DPhil on Victorian poetry and architecture at Magdalen College, Oxford.

Matthew Peters has recently completed a doctoral thesis on Henry James at Magdalene College Cambridge.

Gabriel Roberts is joint winner for 2008 of the Cambridge Quarterly Prize for the best dissertation submitted for the final Cambridge University English honours examination. He is now a postgraduate student at Christ's College Cambridge, reading for an MPhil in Eighteenth Century and Romantic Studies.

Karl Schoonover is an assistant professor at Michigan State University where he teaches film studies, visual culture, and critical theory in the [End Page 461] English Department. He is currently completing a book on corporeality in postwar theories of film realism, and is co-editing an anthology on the geopolitics of art cinema. He has published essays on Italian cinema, classical film theory, and photography.

Gillian Wright lectures in the Department of English at the University of Birmingham. She is editor (with Jill Seal Millman) of Early Modern Women's Manuscript Poetry (Manchester University Press, 2005). [End Page 462]

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