Abstract

This article discusses the problem of performance in electronic dance music (EDM), considering its specificity in the use of technically reproduced sound to promote a nonstop dancing experience. Instead of a schizophonic rupture between performer and audience, EDM is seen to perform a transducive mediation between machine sound and human movement.

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Additional Information

ISSN
1531-4812
Print ISSN
0961-1215
Pages
pp. 17-20
Launched on MUSE
2008-12-04
Open Access
No
Archive Status
Ceased Publication
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