Abstract

This article maps initial cinematic terrains produced through digital processes. Composited shots, multiple screens, and new transition strategies shift viewers’ understanding of spatial relations, reconfigure shot boundaries, and construct “semantic clusters” combining different types of information. Digital processes recreate older cinematic styles, and resituate production culturally, economically, and institutionally.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 90-110
Launched on MUSE
2008-11-12
Open Access
No
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