Abstract

Jacques Demy’s importance in the French New Wave ironically becomes clearest by way of his least obviously New Wave work of the 1960s, The Umbrellas of Cherbourg, which represents a curious intersection between the New Wave aesthetic and that of the “Tradition of Quality,” against which the movement claimed to rebel.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 27-50
Launched on MUSE
2008-11-12
Open Access
No
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