Contributors
- Contributors
Robert Bearman, until 2007, was Head of Archives and Local Studies at the Shakespeare Birthplace Trust, Stratford-upon-Avon. He has contributed articles on Shakespeare biography to Shakespeare Quarterly, Shakespeare Survey, and Midland History.
Paul Cefalu is Associate Professor of English, Louisiana State University. He is the author of Moral Identity in Early Modern English Literature (2004), Revisionist Shakespeare: Transitional Ideologies in Texts and Contexts (2004), and English Renaissance Literature and Contemporary Theory: Sublime Objects of Theology (2007). He is completing a book entitled Wringing Our Hands: Obsessive-Compulsive Disorder and the Morality of the Will, to be published by the University of Michigan Press in 2009.
Frank Nicholas Clary, Professor of English at Saint Michael's College, Vermont, is a member of the New Variorum Hamlet editorial team. He is also researching the 1965–66 Royal Shakespeare Company production of Hamlet directed by Sir Peter Hall.
Deborah T. Curren-Aquino is coeditor (with Susan Synder) of The Winter's Tale for the New Cambridge Shakespeare. She is currently providing editorial and production assistance for the New Folger Library Shakespeare Editions.
Annete Drew-Bear is Professor of English at Washington and Jefferson College and the author of Painted Faces on the Renaissance Stage (1994).
Michael D. Friedman, Professor of English at the McDade Center for Literary and Performing Arts at the University of Scranton, is the author of "The World Must Be Peopled": Shakespeare's Comedies of Forgiveness (2002).
Hugh Grady is Professor of English at Arcadia University in Glenside, PA. He is the author most recently of Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from "Richard II" to "Hamlet" (2002). He is the editor [End Page 364] of Shakespeare and Modernity: From Early Modern to Millennium (2000) and coeditor (with Terence Hawkes) of Presentist Shakespeares (2006). A monograph investigating the intersection of Shakespeare's plays with the aesthetic theories of Theodor Adorno and Walter Benjamin, with the working title Shakespeare and Impure Aesthetics, is forthcoming from Cambridge University Press.
Christa Jansohn is Chair of British and American Studies and Director of the Centre for British Studies at the University of Bamberg, Germany.
Gordon McMullan recently published Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death (2007).
Sharon O'Dair is Professor of English at the University of Alabama and Director of the Hudson Strode Program in Renaissance Studies. She coedited The Production of English Renaissance Culture (1994) and is author of Class, Critics, and Shakespeare: Bottom Lines on the Culture Wars (2000). She is working on a project tentatively entitled The Eco-Bard: The Greening of Shakespeare in Contemporary Film.
Stuart Sillars is Professor of English at the University of Bergen, Norway. His most recent books are Painting Shakespeare: The Artist as Critic, 1720–1820 (2006) and The Illustrated Shakespeare, 1709–1875 (2008).
Ian Smith, Associate Professor of English at Lafayette College, has published on Shakespeare and on postcolonial literature. He is currently preparing a book on early modern English blackface theater.
Alden T. Vaughan, Professor Emeritus of History at Columbia University, has published widely on early English colonization in America and on The Tempest. He coedited the Arden3 edition of the play with Virginia Mason Vaughan.
Denise A. Walen, Associate Professor and Chair of the Department of Drama at Vassar College, is the author of Constructions of Female Homoeroticism in Early Modern Drama (2005).
Sarah Werner is the Undergraduate Program Director at the Folger Shakespeare Library and the author of Shakespeare and Feminist Performance. She is currently editing a collection of essays rethinking the methodology of studying Renaissance drama and performance, to be published next year by [End Page 365] Palgrave, and writing the volume on As You Like It for Manchester University Press's series Shakespeare in Performance.
Paul Werstine teaches English at King's University College at the University of Western Ontario. He is coeditor, with Barbara A. Mowat, of the Folger Shakespeare Library's edition of Shakespeare and co-general editor, with Richard Knowles, of the New Variorum Shakespeare.
W. B. Worthen, Alice Brady Pels Visiting Professor in the Arts, Barnard College, Columbia University, is most recently the author of Print and the Poetics of Modern Drama. His current book...
