Abstract

This article examines the fate of three films made by black independent filmmaker Oscar Micheaux that were exported to Sweden in the 1920s. The article also aims to analyze Swedish silent film culture, and, by means of its structure explain the treatment, when it came to censorship and advertising practices, that Micheaux’s films received in Sweden.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 30-49
Launched on MUSE
2008-08-14
Open Access
No
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