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  • Color Plates

Color Plate A


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No. 1. Donna J. Cox, Ida, a topological surface resulting from the Renaissance team of Donna Cox, George Francis and Ray Idaszak. Each color section indicates a separate 45° angle-range in the “ovalesque” used to create the surface. (© D. Cox, G. Francis and R. Idaszak) See From the Leonardo Archive article by Donna J. Cox in this issue.


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No. 2. Jane Bearinger, image acquired optically with a Nikon D100 camera mounted on a reflectance-based Nikon Labophot 2 microscope. (© Jane P. Bearinger) Line width approx. 600 nm, feature height = 100 μm tall, feature depth = 10 nm. The pattern (modeled after the Lawrence Livermore National Laboratory logo) appears only upon exposure to vapor, which hydrates the approximately 10-nm-thick polymer. Line patterning was performed before photoinitiated polymerization via photocatalytic nanolithography. [End Page 339]

Color Plate B


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Boo Chapple, stages in the process of transforming bone into an audio speaker. (© Boo Chapple) Purchase dog bones at butcher, de-fat bones in “rotting tank,” cut bone sections, apply electrodes, and after much trial and error finally they work! [End Page 340]

Color Plate C


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Filipe Rocha da Silva, Sky Cleaning, mixed media on canvas, 90 x 45 cm, 2000. (© Filipe Rocha da Silva) [End Page 341]

Color Plate D


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Randall Packer, Media Deconstruction Kit, remixing live television. (© Randall Packer) [End Page 342]

Color Plate E


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Kathy Marmor, participant interaction with box satellites, FireHouse Center for the Visual Arts, Burlington, VT, 2007. (© Kathy Marmor. Photo © Jeff Clarke.) [End Page 343]

Color Plate F


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Cary Peppermint, selected web pages from restlessculture.net, 1998–2003. (© Cary Peppermint) Networked performances in update, a.k.a. “Exposures.” [End Page 344]

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 339-344
Launched on MUSE
2008-07-25
Open Access
No
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