Abstract

This essay takes the direction of visual studies to propose a reading of the contemporary French post-poetry of Jean-Marie Gleize. It explores the redefined aspect of “form” in French prose and poetry. Gleize’s work engages with plasticity in order to enhance accessibility to the real, while bypassing the usual step of proposing a new art poétique based on textual formalism and neo-rhetorical poetics.

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Additional Information

ISSN
1931-0234
Print ISSN
0014-0767
Pages
pp. 32-45
Launched on MUSE
2008-06-28
Open Access
No
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