Abstract

This article investigates the zine as a compelling example of autographics, theorizing the dynamics of self-representation in these handmade texts. Reading the intersection of text, layout, and production as a complex site of self-representation, the materiality of the zine form is examined as a meta-critical refl ection on the form of the book and the potential of the photocopier as a means of production.

pdf

Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 85-102
Launched on MUSE
2008-07-04
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.