Abstract

Musician and feminist Meredith LeVande noticed a dramatic shift in the appearance of female pop stars in the late 1990s. This essay shows how the connection between media ownership deregulation and the mega-media companies that profit from adult entertainment have pushed pornographic imagery into the mainstream. Nowhere is this situation more evident than with women in popular music whose images have become increasingly hyper-sexualized. Through various narratives circling women in music, this essay explores how the 1996 Telecommunications Act has made pornographic images omnipresent.

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Additional Information

ISSN
1547-8424
Print ISSN
1536-6936
Pages
pp. 293-321
Launched on MUSE
2008-04-03
Open Access
No
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