Abstract

This essay explores the problem of political representation during the early years of the French Revolution through the lens of a series of portraits of the deputies to the National Assembly, the Collection Générale des Portraits de MM. les Députés à l'Assemblée Nationale, published by Nicolas-François Levachez. As the first visual depiction of the deputies, the prints manipulate the language of portraiture to strike a balance between representing a series of individual men and a collective body politic, and to invite political participation and judgment from viewers.

pdf

Share