Abstract

"The Theater and the Plague" contains an astonishing written account of the plague. Antonin Artaud's essay replicates the plague in writing by developing what could be called a "malignant" rhetoric. In this article, the possibility of a pathogenic writing is considered by tracing the transformation of influence, relation, and communication into virulent vectors of the plague. The theater, for Artaud, erupts out of this space between a dramatic, rhetorical, and epidemiological discourse.

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