The University of Tulsa
Reviewed by:
Between Women: Friendship, Desire, and Marriage in Victorian England, by Sharon Marcus. Princeton: Princeton University Press, 2007. 368 pp. $65.00 cloth; $19.95 paper.

Between Women is a compelling and innovative study that reveals the centrality of women's relationships in mainstream Victorian life. Attentive to individual texts and to the tremendous archive of historical evidence that supports her readings of them, Marcus's new book is a rich and exciting addition to scholarship on gender, sexuality, and relationships.

Overturning a number of critical commonplaces about women's relationships between 1830-1880, Marcus argues persuasively that female intimacy—far from being a site of transgression—actually helped to constitute Victorian ideals of femininity. As she demonstrates through a series of smart readings, this same-sex intimacy existed in harmony with and indeed often promoted heterosexual relationships. Her explorations of friendship (part one of the study), eroticism (part two), and same-sex marriage (part three) investigate the nuances of these distinct affiliations, challenging not only the lesbian continuum model (as others have done before her) but also the idea that women's relationships exist in tension with heterosexual relationships. [End Page 342]

Each of the study's three parts uses wide-ranging materials deftly. Balancing survey with analysis, Marcus examines children's books, fashion magazines, pornography, and life writing (diaries, letters, biographies) as well as works by Elizabeth Barrett Browning, Charles Dickens, George Eliot, Charlotte Brontë, and Anthony Trollope. Part two, for example, pairs known and unknown texts to show how dolls and fashion plates encouraged and naturalized women's desire for women rather than simply reflecting the passive postures of women eroticized by masculine desire. Offering an intriguing reading of Great Expectations through the lens of these less-canonical materials, Marcus illustrates how Pip's "desire for a woman is shaped by his identification with the desire between women woven into the fabric of the family, everyday life, and consumer culture" (p. 170).

Desire between women also formed the basis of the same-sex "female marriages" Marcus describes, which were not, by her account, the contentious subject that same-sex unions are today. Although these marriages were not legally binding, they were accepted within broader social networks. They even became models for challenging the legal definition of heterosexual marriage, replacing hierarchical and indissoluble bonds with more egalitarian ideas of marriage as a contract. In this way, part three shows that female intimacy had long-ranging familial, social, and political power.

Marcus's claim that female intimacy was "not only tolerated but promoted as necessary elements of middle-class femininity" (p. 259) offers an important corrective to dominant views that Victorian England found all same-sex relations shameful. At times, however, the portrayal of female intimacy as acceptable because it facilitated or reformed heterosexual marriage threatens to subsume that intimacy, making it as much a means as an end. This is partly because the examples Marcus chooses do not, finally, allow for sustained female intimacy or community without marriage, whether same-sex or heterosexual. In fiction by Gissing and Gaskell, however, and in religious sisterhoods, many such communities provided spaces where female intimacy served more than traditional marriage. These sisterhoods might have been a useful addition to Marcus's discussion of friendships infused by religious language (pp. 62-66). The responses such sisterhoods provoked were far more hostile than the reactions Marcus describes. While there were many reasons for these responses, they underscore a point implicit in Marcus's study: that same-sex relations were most attractive when they promoted heterosexual interests.

Between Women responds to Eve Kosofsky Sedgwick's seminal Between Men by insisting that forms of women's love are as various and complicated as those of men (p. 10). More strikingly, it revises Sedgwick's formulation of exchange by showing how women also traded in feminine objects (hair, dolls) and (more central to the study) made gifts of men to their most intimate friends. Marcus rightly suggests that these transactions were fundamental [End Page 343] to ideas and practices of Victorian ideal femininity. I would add that the forms and objects of women's gift exchange—as various and complicated as love itself—were also crucial to ideas and practices of women's community. "What remains to the social," she asks, "when relations of domination, oppression, status, discipline, and governmentality are set aside? . . . what theory of the social can be derived from relationships like those between women of the same class and nation—never free from power differentials, but never exhaustively defined by them" (pp. 259-60). Here, though Marcus recognizes the inequalities inherent to women's relationships, she wants to set aside "status" and "domination." However, her own provocative discussion of punishment and style has already shown how crucial such terms are to women's intimate relationships. The gifts that women gave women, more than the "altruistic economy of reciprocity" Marcus identifies, also established alternative forms of rank and power and took their meaning from larger systems of giving (p. 86). Her book thus suggests how further attention to exchanges between women could promote new directions of study. Additional gift theories, such as Annette B. Weiner's work on the status afforded by objects withheld from circulation, might usefully extend Marcus's scholarship.

However, to speculate on these topics is to show the necessity of this ground-breaking book. It is also to take up the call for further inquiry in Marcus's powerful response to Virginia Woolf's famous discovery that "Chloe liked Olivia": "whether they are lovers, friends, or coworkers, Chloe and Olivia are overworked, and we need more than two proper names and a verb to do justice to the variety and complexity of women's social alliances" (p. 258). Between Women goes a long way toward doing them that justice. It is significant scholarship and a very pleasurable read.

Jill Rappoport
Villanova University
Jill Rappoport

Jill Rappoport, Assistant Professor of English at Villanova University, has published on the gift poetics of Letitia Elizabeth Landon. Her forthcoming article on Elizabeth Gaskell's Cranford is part of a larger book project that explores the gift transactions at the heart of Victorian women's communities.

Share