Index to Volume 59

Contributors’ Index

Articles

Bar-Yosef, Eitan. “‘I’m Just a Pen’: Travel, Performance, and Orientalism in David Hare’s Via Dolorosa and Acting Up.” 259–277.

Bay-Cheng, Sarah. “Translation, Typography, and the Avant-Garde’s Impossible Text.” 467–483.

Bharucha, Rustom. Forum: What’s at Stake in Theatrical Translation? “Thinking through Translation: The Psychophysical Dynamics of Direction.” 352–355.

Buch, David J., and Hana Worthen. “Ideology in Movement and a Movement in Ideology: The Deutsche Tanzfestspiele 1934 (9–16 December, Berlin).” 215–239.

Camp, Pannill. “Theatre Optics: Enlightenment Theatre Architecture in France and the Architectonics of Husserl’s Phenomenology.” 615–633.

Colborn-Roxworthy, Emily. “‘Manzanar, the eyes of the world are upon you’: Performance and Archival Ambivalence at a Japanese American Internment Camp.” 189–214.

Cole, Catherine M. “Performance, Transitional Justice, and the Law: South Africa’s Truth and Reconciliation Commission.” 167–187.

Cook, Amy. “Interplay: The Method and Potential of a Cognitive Scientific Approach to Theatre.” 579–594.

Curran, Beverley. “Invisible Indigeneity: First Nations and Aboriginal Theatre in Japanese Translation and Performance.” 449–465.

Davis, C. B. “Cultural Evolution and Performance Genres: Memetics in Theatre History and Performance Studies.” 595–614.

Fayard, Nicole. “Daniel Mesguich’s Shakespearean Play: Performing the Shakespeare Myth.” 39–55.

Gerland, Oliver. “From Playhouse to P2P Network: The History and Theory of Performance under Copyright Law in the United States.” 75–95.

Gerould, Daniel. Forum: What’s at Stake in Theatrical Translation? “Encounters.” 349–352.

Hardwick, Lorna. Forum: What’s at Stake in Theatrical Translation? “Translating Greek Tragedy to the Modern Stage.” 358–361.

Kruger, Loren. Forum: What’s at Stake in Theatrical Translation? “Keywords and Contexts: Translating Theatre Theory.” 355–358.

Lane, Jill. Forum: What’s at Stake in Theatrical Translation? “Becoming Chocolate, a Tale of Racial Translation.” 382–387.

Langworthy, Douglas. Forum: What’s at Stake in Theatrical Translation? “Why Translation Matters.” 379–381.

Liu, Siyuan. “Adaptation as Appropriation: Staging Western Drama in the First Western-Style Theatres in Japan and China.” 411–429.

McConachie, Bruce. “Falsifiable Theories for Theatre and Performance Studies.” 553–577.

Mee, Charles L., Jr. Forum: What’s at Stake in Theatrical Translation? “I Like to Take a Greek Play.” 361–363.

Raphael, Timothy. “Mo(u)rning in America: Hamlet, Reagan, and the Rights of Memory.” 1–20.

Reed, Peter P. “Conquer or Die: Staging Circum-Atlantic Revolt in Polly and Three-Finger’d Jack.” 241–258.

Rimer, Thomas. Forum: What’s at Stake in Theatrical Translation? “Metamorphosis from a Distance.” 366–369.

Senelick, Laurence. Forum: What’s at Stake in Theatrical Translation? “Semper Fidelis.” 369–372.

Spencer, Jenny. “Performing Translation in Contemporary Anglo-American Drama.” 389–410.

Spregelburd, Rafael (Jean Graham-Jones, trans.). Forum: What’s at Stake in Theatrical Translation? “Life, of Course.” 373–377.

Svich, Caridad. Forum: What’s at Stake in Theatrical Translation? “Some Thoughts on García Lorca and the Arts of Translation.” 377–379.

Versényi, Adam. “Translation as an Epistemological Paradigm for Theatre in the Americas.” 431–447.

Walsh, Brian. “Theatrical Temporality and Historical Consciousness in The Famous Victories of Henry V.” 57–73.

Westgate, J. Chris. “Toward a Rhetoric of Sociospatial Theatre: José Rivera’s Marisol.” 21–37.

Wiles, David. Forum: What’s at Stake in Theatrical Translation? “Translating Greek Theatre.” 363–366.

Zarrilli, Phillip B. “An Enactive Approach to Understanding Acting.” 635–647.

Performance Reviews

Adams, Charles N., Jr. The Falls. Jeffrey Hatcher. 305–307.

Alon, Chen. Wishuponastar: A Fatal Love Story. Smadar Yaaron. 299–301.

Bailes, Sara Jane. Gatz. F. Scott Fitzgerald, created by Elevator Repair Service. 508–509.

Beach, Maria. 365 Days / 365 Plays (Week 1). Suzan-Lori Parks. 649–651.

Bolus, Michael Peter. Hecuba. Euripides. 121–123.

______. The Seven. Will Power. 121–123.

Caldwell, Jennifer D. Argonautika. Adapted and directed by Mary Zimmerman. 509–511.

Camp, Pannill. La dernière bande / Krapp’s Last Tape, Oh les beaux jours. Samuel Beckett. 485–488.

Carroll, Dennis. Minna Musikaali. Book and direction by Ritva Holmberg, music by Eero Ojanen, lyrics by Ilpo Tiihonen. 676–678.

______. Suurin on Rakkaus. Laura Ruohonen. 676-678.

Cherry, James M. Hell House. Keenan Roberts. 517–519.

Chirico, Miriam M. Eurydice. Sarah Ruhl. 315–317...