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Reviewed by:
  • Conrad's Europe
  • Brian Richardson (bio)
Andrzej Ciuk and Marcin Piechota , eds. Conrad's Europe. Yearbook of Conrad Studies (Poland). Opole: Poland, Joseph Conrad Society, 2005. 130 pp. ISBN 83-7395-132-6

This volume collects papers from the "Conrad's Europe" conference at Krakow in September 2004. The essays orb around a few related, highly topical themes: Joseph Conrad as a European or Eastern European, Conrad's work in the context of European literature, and general issues of nationalism and cosmopolitanism. Postcolonial topics are frequently addressed and the presence of Edward Said is often felt. Among the essays devoted to politics, history, and ideology, there is Sylvère Monod's impressive, wide-ranging survey, "Conrad and European Politics," and Allan H. Simmons's outstanding essay on Conrad and English politics and culture. Simmons admirably delineates the many nuances of Conrad's local, national, cosmopolitan, and class identities; this piece can be recommended as essential background reading for the study of Conrad's relations to these various imagined communities. Keith Carabine contributes an astute meditation on the well-known essay, "Autocracy and War," in light of Conrad's rarely discussed piece, "The Heroic Age," originally written for the hundredth anniversary of the battle of Trafalgar and subsequently included at the end of The Mirror of the Sea. Carabine meticulously discloses the many nuances and revealing silences in the latter essay, concluding that "as a committed European who recoils before the 'watchwords' of his day that engender 'the animosities of peoples' and of nations, Conrad refuses to contribute on the anniversary of Britain's most famous naval victory to the 'din' of war-talk" (89–90).

Grazyna Branny offers a vivid if at times idiosyncratic account of the time Conrad spent in Krakow, and Fiona Tomkinson deftly traces Conrad's negotiation between concepts of British and French nationalism along with ideas of royalism and radicalism in two late novels set during the Napoleonic Wars, The Rover and Suspense, though her reflections on the spectral nature of nationalism is less compelling. Christopher Cairney attempts to find traces of the Byronic in Marlow, Nostromo, and Martin Decoud but does not succeed in making a [End Page 291] convincing case. Josiane-Paccaud Huguet provides a reading of the idea of Europe in "Karain" and Lord Jim by drawing on Jacques Lacan and his notion of the Name of the Father. Anne Luyat does a competent job examining the correlation between the political "grotesques" in Conrad's work and the language they use or deform as they communicate.

Andzej Busza outlines the history of his personal study and teaching of Conrad and in doing so situates the work in a European literary context that extends from Gustave Flaubert to Fyodor Dostoyevsky. In an essay that could be fruitfully developed and further extended, Jakob Lothe discusses the role of narrative in identity construction among individual characters and Conrad himself. Tanya Gokulsing's article, "Polishness, Modernism, and the Manipulation of Time: Conrad's Use of 'Now' in Almayer's Folly," argues persuasively that Conrad's use of tense, especially the repeated use of the word now, is rooted more in European modernist experimentation with temporality and possibly even Henri Bergson's ideas of durée than a mere lack of facility in idiomatic English: "Conrad was far more self-conscious in his handling of even the very grammar of English than has previously been suggested," she affirms (154). Another especially compelling paper is Asako Nakai's "Europe as Autobiography? A Personal Record" which suggests that this text, like "Heart of Darkness," locates different cultural or national territories in a chronological order, as spatial difference is often represented as temporal difference. Even more intriguingly, Nakai reads A Personal Record as embodying an emergent autobiographical theory that prefigures late twentieth-century theories of self-writing; this is most evident in the text's positing of multiple beginnings.

Joanna Kurowska takes up the issue of racism in Conrad advanced by Chinua Achebe. The focus of her paper is one of Achebe's most compelling arguments, that Conrad's Africans typically lack the facility of speech. In her careful analysis of language and communication in "Heart of Darkness" and...

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Additional Information

ISSN
1935-0252
Print ISSN
0010-6356
Pages
pp. 291-293
Launched on MUSE
2008-01-28
Open Access
No
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