Hume and Hume's Connexions (review)

This collection is organized around the theme of Hume’s connections with his philosophical predecessors, contemporaries, and successors.

In a historical prelude, Roger Emerson meticulously describes the factions that supported and opposed Hume’s efforts to gain a professorship. Emerson attributes Hume’s failure not only to the charges of impiety leveled against him, but also to the intricate workings of a political patronage system.

Four essays about moral theory follow. James Moore attacks the conventional view that Hume’s moral theory is deeply similar to Hutcheson’s. In fact, Moore argues, surface similarities here mask systematic disagreements about justice, self-interest, teleology, theology, reason’s role within a sentimentalist framework, and about whether morality is, fundamentally, justified approbation for benevolence (Hutcheson) or sympathy’s merely natural tendency to generate feelings of approbation (Hume). These differences make sense, Moore notes, in light of Hutcheson’s debts to Stoicism, and Hume’s debts to Epicureanism. Stephen Darwall argues that, by parting company with Hutcheson on one crucial point, Hume opens up a logical space for Bentham’s Utilitarianism. Hutcheson explains the goodness of natural goods, such as happiness, in terms of our distinctively moral approval of benevolence: happiness is good because a benevolent person wills general happiness. Hume instead explains our moral approval of qualities of character in terms of natural goods and the psychological mechanism of sympathy: a benevolent person receives moral approval because she produces happiness for herself and others, including sympathetic spectators. Darwall claims that Hume thus foreshadows Bentham’s efforts to set our moral judgments on an uncontroversial nonmoral foundation. Pauline C. Westerman discusses the relation between Hume and the natural lawyers. Hume shares some of their characteristic concerns, such as accounting for the origin of private property, and employs some of their terminology. Still, Westerman argues, while Grotius and Pufendorff wanted to justify morality, Hume wants only to explain it. Finally, John P. Wright invokes Butler’s account of habit to illuminate Hume’s notion of a calm passion. Butler argues that, as a habit develops, repetition weakens feelings while strengthening the tendency to act: distress will seldom shock someone habituated into generosity, who will reliably act to relieve that distress. Citing this psychological dynamic, Wright argues, helps to explain what a calm passion is, and how it can prevail over a violent passion.

Two essays concern philosophy of mind and epistemology. P. B. Wood uses Thomas Kuhn’s concept of texts that are “exemplars” for working scientists to illuminate the “science of mind” as Hume and Reid practiced it. David Owen puts “inductive skepticism” into historical context, arguing that in that context, Hume appears as neither the victim nor the opponent of deductivism about rationality. Instead, Hume’s focus is Locke’s account of probable reasoning, according to which such reasoning involves a chain of associated ideas (not a formal structure of propositions). Hume’s argument is that our causal thinking proceeds differently than Locke requires, because in it we do not follow an unbroken series of associated perceptions, but rather leap over the gap between our impressions up to now and the general causal idea.

The book’s centerpiece is a fragmentary Hume manuscript, discovered in 1993, about the problem of evil. The manuscript appears in both facsimile and transcription. In introducing the manuscript, M. A. Stewart argues plausibly that it is one of the “nobler parts” that Hume cut from the Treatise to avoid offending Bishop Butler.

Four essays discuss philosophy of religion. Reflecting on miracles, Stewart traces a tradition of critically examining religious testimony back to the Port-Royal Logic and to Locke; moreover, Stewart emphasizes that Hume’s method in “Of Miracles” is similar to his method in debunking the Ossian poems. Michel Malherbe, taking as his point of departure those remarks by “Pamphilus” that preface the Dialogues, and reviewing in detail Shaftesbury’s pronouncements about the art of philosophical dialogue, discusses...