Notes on Contributors
- Notes on Contributors
Ruth Abbott is a PhD student at the University of Cambridge, where she also teaches for Girton and Clare colleges. She is pursuing research into William Wordsworth and philosophical poetics.
David Ashford is in the third and final year of his PhD at the University of Cambridge in English Literature Post-1830. His interests include Modernism, Urbanism, Pop Culture and London Writing. He is currently working on a cultural history of the London Underground, exploring how people have attempted to inhabit this quintessentially modern space since its inception in 1860.
Anne Henry is a fellow and director of studies in English at Trinity College, Cambridge.
Tom Jones teaches eighteenth-century literature and literary theory at the University of St Andrews. His Pope and Berkeley: The Language of Poetry and Philosophy was published in 2005.
Claire Lockwood is a graduate student at King’s College, Cambridge and is writing a PhD thesis on forms of revision in Modernist poetry.
Helen Moore is Fellow and Tutor in English at Corpus Christi College, Oxford. She specialises in the reception and adaptation of romance in early modern England, and has edited the Renaissance romance ‘Amadis de Gaule’ and the play ‘Guy of Warwick’.
Jane Partner is an Orton Research Fellow in English at Trinity Hall, Cambridge. Her research examines interactions between literature, art, philosophy and science in renaissance England.
Ben Reizenstein was at Trinity College, Cambridge. Since graduating, he has taken up a position with the British Red Cross; in his spare time, he is studying at Birkbeck College, London; preparing a report on the education system of Lesotho; and participating in experimental music collaborations.
Richard Rowland is Lecturer in Drama and English at the University of York. He has edited plays by Marlowe, Chapman and Jonson, and Edward IV (1599) for the Revels Series.
Richard C. Sha is the author of The Visual and Verbal Sketch in British Romanticism. He has also edited two volumes on romanticism and sexuality, one for Romanticism on the Net (2002) and another for Romantic Praxis (2006).
Tom Walker is a doctoral student at Lincoln College Oxford. He is writing about Louis MacNeice.
Gillian Wright lectures in the Department of English at the University of Birmingham. She is editor (with Jill Seal Millman) of Early Modern Women’s Manuscript Poetry (Manchester 2005). [End Page 1]
