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  • The Dent Medal

The Dent Medal, in memory of Edward J. Dent, is awarded by the Royal Musical Association annually to recipients selected for their outstanding contribution to musicology, from a list of candidates drawn up by the Council of the Association and the Directorium of the International Musicological Society.

For 2006, the medal has been awarded to MARY ANN SMART. Smart studied at McGill (BMus, 1985) and McMaster (MA, 1989) Universities, before going to Cornell for her doctorate. In 1994, she became Assistant Professor at the State University of New York at Stony Brook, and in 1996 she moved to the University of California, Berkeley, where she is now Associate Professor.

Broadly speaking, Smart's work falls into two overlapping areas. First, she is one of the leading voices in the study of opera and gender, most notably through her editorship of (and contribution to) the volume Siren Songs: Representations of Gender and Sexuality in Opera (2000), which grew out of a conference that she organized with Elizabeth Hudson in 1995. More recently, she contributed the article 'Music and Gender' to the Harvard Dictionary of Music (2003). Secondly, this research intersects with her ongoing exploration of new approaches to nineteenth-century opera, whether through the vocal traces left by singers (explored in such articles as 'The Lost Voice of Rosine Stolz', Cambridge Opera Journal, 1994, and in the chapter on singers at the Paris Opéra in The Cambridge Companion to Grand Opera, 2003) or through the gestural traces still audible in the works of such composers as Auber, Bellini, Meyerbeer, Verdi and Wagner (the subject of her book Mimomania: Music and Gesture in Nineteenth-Century Opera, 2004).

The appearance of this last work has only confirmed Smart's dominant position in her generation as a scholar of opera - a position underlined by her article 'In Praise of Convention: Formula and Experiment in Bellini's Self-Borrowings' in Journal of the American Musicological Society (2000), her New Grove Dictionary entries on Bellini and Donizetti, her edition of Donizetti's grand opéra Dom Sébastien, and her continuing work on opera and politics in Italy before Verdi. Her selection for this year's Dent Medal comes in recognition of the immense insight and influence of these works and others (not least her unusually perceptive book reviews), but also for the unfailing lucidity and poise of her prose, which has served as a model in areas of research too often dominated by jargon and a lack of attention to well-chosen language. [End Page 165]

Previous winners of the Dent Medal have been:

1961 Gilbert Reaney Great Britain
1962 Solange Corbin France
1963 Dénes Bartha Hungary
1964 Pierre Pidoux Switzerland
1965 Barry S. Brook USA
1966 F. Alberto Gallo Italy
1967 William W. Austin USA
1968 Heinrich Hüschen West Germany
1969 Willem Elders Holland
1970 Daniel Heartz USA
1971 Klaus Wolfgang Niemöller West Germany
1972 Jozef Robijns Belgium
1973 Max Lütolf Switzerland
1974 Andrew McCredie Australia
1975 Martin Staehelin West Germany
1976 -
1977 Reinhard Strohm Great Britain
1978 Christoph Wolff USA
1979 Margaret Bent Great Britain
1980 Craig Wright USA
1981 Anthony Newcomb USA
1982 David Fallows Great Britain
1983 Lorenzo Bianconi Italy
1984 Iain Fenlon Great Britain
1985 Curtis A. Price USA
1986 Silke Leopold West Germany
1987 Richard F. Taruskin USA
1988 Jean-Jacques Nattiez Canada
1989 Paolo Fabbri Italy
1990 Christopher Page Great Britain
1991 Roger Parker Great Britain
1992 Kofi Agawu Ghana
1993 Carolyn Abbate USA
1994 Lorenz Welker Germany
1995 Susan Rankin Great Britain
1996 Ulrich Konrad Germany
1997 Philip V. Bohlman USA
1998 Rob C. Wegman USA
1999 Gianmario Borio Italy
2000 Philippe Vendrix Belgium
2001 Martha Feldman USA
2002 Laurenz Lütteken Switzerland
2003 John Butt Great Britain
2004 Daniel Chua Great Britain
2005 Julian Johnson Great Britain

[End Page 166]

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