After the Revolution: Antoine-Jean Gros, Painting and Propaganda under Napoleon, by David O'Brien. Reviewed by Jonathan Zilberg.
The Atlas of Climate Change: Mapping the World's Greatest Challenge, by Kirstin Dow and Thomas E. Downing. Reviewed by Stefaan Van Ryssen.
Beautiful/Ugly: African and Diaspora Aesthetics, edited by Sara Nuttall. Reviewed by Michael R. (Mike) Mosher.
Cyberspaces of Everyday Life, by Mark Nunes. Reviewed by John F. Barber.
The Future of Electronic Literature
, by Maryland Institute for Technology. Reviewed by Dene Grigar.
Japan's Peace Constitution
, directed by John Junkerman and produced Yamagami Tetsujiro with music by Soul Flower Union. Reviewed by Michael R. (Mike) Mosher.
El medio es el diseño audiovisual, edited by Jorge La Ferla. Reviewed by José-Carlos Mariátegui.
Organized Networks: Media Theory, Creative Labour, New Institutions, by Ned Rossiter. Reviewed by Geoff Cox.
Other People's Pictures, directed by Lorca Shepperd and Cabot Philbrick. Reviewed by Kathryn Adams.
PopModernism: Noise and the Reinvention of the Everyday, by Juan A. Suárez. Reviewed by Jan Baetens.
Russia in Transition: I to IV, by Sergei Loznitsa. Reviewed by Stefaan Van Ryssen.
Spaces Speak, Are You Listening?: Experiencing Aural Architecture, by Barry Blesser and Linda-Ruth Salter. Reviewed by Florence Martellini. [End Page 507]
Surviving Death/Alive Why?, by Larval. Reviewed by Michael R. (Mike) Mosher.
Tin Men, by Archie Green. Reviewed by Rob Harle.
The Virtual Window: From Alberti to Microsoft, by Anne Friedberg. Reviewed by Ian Verstegen.
The Animation of Lists and the Archytan Transpositions, by Warren Burt. Reviewed by Stefaan Van Ryssen.
Art: Key Contemporary Thinkers, edited by Diarmuid Costello and Jonathan Vickery. Reviewed by Rob Harle.
Constant, Avant le Départ, by Maarten Schmidt and Thomas Doebele. Reviewed by Anthony Enns.
Full Metal Apache: Transactions between Cyberpunk Japan and Avant-Pop America, by Takayuki Tatsumi. Reviewed by Michael R. (Mike) Mosher.
Ghosthunter: A Journey through Haunted France, by Simon Marsden. Reviewed by Allan Graubard.
Making Easy Listening: Material Culture and Postwar American Recording, by Tim J. Anderson. Reviewed by Stefaan Van Ryssen.
The Material Image: Art and the Real in Film, by Brigitte Peucker. Reviewed by Jan Baetens.
Musimathics: The Mathematical Foundations of Music, Vol. 1, by Gareth Loy. Reviewed by Stefaan Van Ryssen.
Renzo Piano: Work in Progress, directed by Marc Petitjean. Reviewed by Nameera Ahmed.
Salvador Allende, directed by Patricio Guzmán. Reviewed by Michael R. (Mike) Mosher.
Scientific Pluralism (Minnesota Studies in the Philosophy of Science), edited by Stephen H. Kellert, Helen E. Longino and C. Kenneth Waters. Reviewed by Amy Ione.
Sensorium: Embodied Experience, Technology, and Contemporary Art, edited by Caroline A. Jones. Reviewed by Craig Hilton.
Too Beautiful to Picture: Zeuxis, Myth, and Mimesis, by Elizabeth C. Mansfield. Reviewed by Amy Ione.
YLEM Journal: Artists Using Science and Technology, edited by Loren Means, guest-edited by Gregg Rickman. Reviewed by Rob Harle. [End Page 508]