- The Mechanics of Failure, and: Cloud Cover
The Mechanics of Failure
The day began with what airplane pilots call 'severe clear': seemingly infinite visibility.
—David Remnick, "September 11, 2001"
Jumpers, we called them, as if no nerve, no marrow, still heldto flight, as if falling
wasn't in the blood, and even today the longhabit of light might not
be broken, tornto gold laces like yellow ribbons
tied around oaks for the hometown hostage who finallydid return, blinkered
by camera flash, one year afterthe warm June evening I was married, absurd
in formal white, beneath those noosed trees nowtoo easy to read in curling photographs
as caution, as remember's threadwearing each swelling trunk to that familiar
arc of pain. Mostlythere is no warning: planes slam
into buildings, or you do your owncrash and burn, lighting life down
to a finger of ash. My ring, removed,left a groove that took years [End Page 184]
to vanish, what seemed scar finallya fading, the way, after seasons, a grave settles itself
into earth, or a winter day's flock of starlingsdoes stop pouring east, though all morning
their crepe banner had seemedhorizon itself, the blackened sun still
enough to burn the watcher's eyesto the gold of its own sightless image, the faith
in vision what blinds. Despite their knowledgeof velocity, despite their ability to calculate
the gravity load of the cell, the fire loadof bone, some held plastic sheets, makeshift
parachutes, as they dropped, as if the worldwasn't wind, and fist, and whirling fragments
of paper; as if what we're falling fromisn't grace, isn't what,
a century ago, the newly arrived believedthey could recreate, releasing
one hundred European starlings to populatethis world new and strange
to the Shakespeare they'd readas home, setting in motion this morning's
rolling eclipse, five million birds in one gathering, onecity of flight; so when from the 100th floor, yes, [End Page 185]
they did jump, the question, how much of our weightcan this world bear, had already been asked
as a storm of dark wings, a wake of gray lightstreaming behind.
Cloud Cover
Repeating the experiment makes it true, makes itscience, this string of gray days
its own conclusion. Each one a needle, a hummingbird sippingsomething sweet away. Every
childhood December, cedar waxwings, drunkon fermented crabapples, dove into the bay window,
demonstrating not sky one by one. Frozen smokeof a failed season, the one pondering
the possibility of dissolve, the row of icicles set tremblingdidn't fall. Far
from the neighborhood, the lake beckoned, crystal fist hoveringat zero, grained and gritted knuckles
buried in earth. What weather taught: milk breathon the pane meant self, what clouded
ice crystals swirling like ringworm come alivebeneath the doctor's hand, black light urging its entry [End Page 186]
into the visible. Eight months a year we livedin winter. The forty words for snow
someone else's and too far north, each morning a silencecircled my bed, something coiled
like a fingerprint in the corner of that gauze veila fly's jags and halts wove high
in the ceiling the moment just beforewaking, when I is both line and spin, the needle unthreading
music from a record's engraved disk. Beforethe inevitable descent into the pane
of the body, a length of only like a nameinscribed on an id bracelet (what you were
to give awayto signify love), indelible as eternity
snagged into symbol, figure eights skaters still keep carvinginto that lake. [End Page 187]
Sandra Meek is the author of Burn and Nomadic Foundations, for which she was awarded the Georgia Author of the Year Award in Poetry and the Peace Corps Writers Award for Poetry. Her poems have appeared in Poetry, the Kenyon Review, Conjunctions, and Poetry Daily.