Abstract

Building on feminist critiques of autobiography, we argue that bringing together sf and life-writing theory can further critique the ideological connection between narrative mode and bourgeois, monadic subjectivity characteristic of much autobiography, as revealed by our reading of non-humans coming to consciousness in Richard Powers's Galatea 2.2 and Joseph McElroy's Plus.

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Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 84-105
Launched on MUSE
2007-04-16
Open Access
No
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