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  • Color Plates

Color Plate A


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Rob O'Neill, dataFace:Portrait 001, laser scan of a human skull deformed and informed by the Howells data set. The resultant model is abstracted by an image-processing algorithm that places points at regions affected by the variation in the data set.

© Rob O'Neill

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Color Plate B


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Ingo Günther, Worldprocessor, installation of illuminated acrylic globes on metal poles, each globe 12-inch diam., poles 4 ft tall, 5 ft distance between poles, project evolving since 1988. See After Midnight column by Marcia Tanner.

© Ingo Günther

[End Page 154]

Color Plate C


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Kirill Sokolov, Fresco Faces, collage with kitchen foil, blue and black paper, sand, pencil and acrylic paint on board, 2002.

© Kirill Sokolov. Photo © Sergei Tartakovsky

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Color Plate D


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No. 1. Mike Leggett, image strip from 16-mm film Red+Green+Blue.

© M.G. Leggett


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No. 2 Mike Leggett, proposed computer-based RGB projection generative installation.

© M.G. Leggett

[End Page 156]

Color Plate E


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Yoichiro Kawaguchi, still image from Morphogenesis, computer-generated animation, 1984. See article by Jean M. Ippolito.

© Yoichiro Kawaguchi

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Color Plate F


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Masaki Fujihata, Forbidden Fruits, digital photograph of stereolithographic objects, 1990. See article by Jean M. Ippolito.

© Masaki Fujihata

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Color Plate G


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No. 1. Christopher Robbins, Robot Art and Culture, from TheySaySmall, a non-corporeal robot's idea of catering to people who live in a physical (geometry-based) world.

© Christopher Robbins


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No. 2. Zbigniew Oksiuta, Space Garden, 2003. Digital simulation of a hollow soft pneu (a liquid or gel bubble) filled with air, cast in space from biological polymers. The inner space of the sphere will serve as bioreactor for the breeding of transgenic plants and for genetic experiments in space.

© Zbigniew Oksiuta, VG Bild Kunst, Bonn

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Color Plate H


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Hi-ReS! London, Tappy Tibbons's faux web site before, during and after devolution. See article by Christopher Robbins.

© Alexandra Jugovic, Hi-ReS! London

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