Abstract

Abstract: Emphasizing the political meanings of cinematic space, this essay examines the representation of the American West in the unjustly neglected road movie Electra Glide in Blue (1973) for its telling allegory of the social divisions of the Nixon era and the temporary infiltration of Hollywood cinema by the 1960s counterculture.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 91-116
Launched on MUSE
2007-04-06
Open Access
No
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