Volume 44, 2006 Index
Rent from DeepDyveVictorian Poetry
Volume 44, 2006 Index
Volume 44, 2006 Index
405 Simon Avery
Telling It Slant: Promethean, Whig, and Dissenting Politics in Elizabeth Barrett's Poetry of the 1830s
Telling It Slant: Promethean, Whig, and Dissenting Politics in Elizabeth Barrett's Poetry of the 1830s
135 Anna Jane Barton
"What profits me my name?" The Aesthetic Potential of the Commodified Name in Lancelot and Elaine
"What profits me my name?" The Aesthetic Potential of the Commodified Name in Lancelot and Elaine
25 Kirstie Blair
Breaking Loose: Frederick Faber and the Failure of Reserve
Breaking Loose: Frederick Faber and the Failure of Reserve
165 Arnd Bohm
Increasing Suspicion about Browning's Grammarian
Increasing Suspicion about Browning's Grammarian
251 Thomas J. Brennan
Creating From Nothing: Swinburne and Baudelaire in "Ave Atque Vale"
Creating From Nothing: Swinburne and Baudelaire in "Ave Atque Vale"
525 Lana L. Dalley
"The least 'Angelical' poem in the language": Political Economy, Gender, and the Heritage of Aurora Leigh
"The least 'Angelical' poem in the language": Political Economy, Gender, and the Heritage of Aurora Leigh
561 Corinne Davies
Two of Elizabeth Barrett Browning's Pan Poems and Their After-Life in Robert Browning's "Pan and Luna"
Two of Elizabeth Barrett Browning's Pan Poems and Their After-Life in Robert Browning's "Pan and Luna"
93 Diane D'Amico and David A. Kent
Rossetti and the Tractarians
Rossetti and the Tractarians
77 Duc Dau
Perfect Chastity: Celibacy and Virgin Marriage in Tractarian Poetry
Perfect Chastity: Celibacy and Virgin Marriage in Tractarian Poetry
293 Sarah Eron
Circles and the In-Between: Shaping Time, Space, and Paradox in Swinburnian Verse [End Page 603]
Circles and the In-Between: Shaping Time, Space, and Paradox in Swinburnian Verse [End Page 603]
507 Laura Fish
Strange Music: Engaging Imaginatively with the Family of Elizabeth Barrett Browning from a Creole and Black Woman's Perspective
Strange Music: Engaging Imaginatively with the Family of Elizabeth Barrett Browning from a Creole and Black Woman's Perspective
183 Ernest Fontana
Gender and Sexual Anxiety in Browning's "Waring" and "The Guardian-Angel"
Gender and Sexual Anxiety in Browning's "Waring" and "The Guardian-Angel"
7 Barbara Charlesworth Gelpi
John Keble and Hurrell Froude in Pastoral Dialogue
John Keble and Hurrell Froude in Pastoral Dialogue
61 F. Elizabeth Gray
"Syren Strains": Victorian Women's Devotional Poetry and John Keble's The Christian Year
"Syren Strains": Victorian Women's Devotional Poetry and John Keble's The Christian Year
105 Peter Groves
Hopkins and Tractarianism
Hopkins and Tractarianism
310 In Memoriam: Richard C. Tobias
43 Elisabeth Jay
Charlotte Mary Yonge and Tractarian Aesthetics
Charlotte Mary Yonge and Tractarian Aesthetics
425 Stephanie L. Johnson
"Aurora Leigh's Radical Youth": Derridean Parergon and the Narrative Frame in "A Vision of Poets"
"Aurora Leigh's Radical Youth": Derridean Parergon and the Narrative Frame in "A Vision of Poets"
487 Tricia Lootens
Publishing and Reading "Our EBB": Editorial Pedagogy, Contemporary Culture, and "The Runaway Slave at Pilgrim's Point"
Publishing and Reading "Our EBB": Editorial Pedagogy, Contemporary Culture, and "The Runaway Slave at Pilgrim's Point"
467 Gail Marshall
Elizabeth Barrett Browning and Shakespeare: Translating the Language of Intimacy
Elizabeth Barrett Browning and Shakespeare: Translating the Language of Intimacy
1 Emma Mason
Tractarian Poetry: Introduction [End Page 604]
Tractarian Poetry: Introduction [End Page 604]
571 Barbara Neri
Cobridme de flores: (Un)Covering Flowers of Portuguese and Spanish Poets in Sonnets from the Portuguese
Cobridme de flores: (Un)Covering Flowers of Portuguese and Spanish Poets in Sonnets from the Portuguese
191 Jude V. Nixon
Fathering Graces at Hampstead: Manley Hopkins' "The Old Trees" and Gerard Manley Hopkins' "Binsey Poplars"
Fathering Graces at Hampstead: Manley Hopkins' "The Old Trees" and Gerard Manley Hopkins' "Binsey Poplars"
273 Brian Opie
The New Zealand Minstrelsy (1852): William Golder and the Beginnings of a National Literature in New Zealand
The New Zealand Minstrelsy (1852): William Golder and the Beginnings of a National Literature in New Zealand
585 Clare Broome Saunders
"Judge no more what ladies do": Elizabeth Barrett Browning's Active Medievalism, the F emale Troubadour, and Joan of Arc
"Judge no more what ladies do": Elizabeth Barrett Browning's Active Medievalism, the F emale Troubadour, and Joan of Arc
123 Patrick Scott
Clough, Bankruptcy, and Disbelief: The Economic Background to "Blank Misgivings"
Clough, Bankruptcy, and Disbelief: The Economic Background to "Blank Misgivings"
213 Claire Senior
Shades of Gray: A Diachronic Reading of Thomas Hardy's "Neutral Tones"
Shades of Gray: A Diachronic Reading of Thomas Hardy's "Neutral Tones"
391 Marjorie Stone and Beverly Taylor
"Confirm my voice": "My sisters," Poetic Audiences, and the Published Voices of EBB
"Confirm my voice": "My sisters," Poetic Audiences, and the Published Voices of EBB
153 Olivia Gatti Taylor
Written in Blood: The Art of Mothering Epic in the Poetry of Elizabeth Barrett Browning
Written in Blood: The Art of Mothering Epic in the Poetry of Elizabeth Barrett Browning
113 G. B. Tennyson
Afterword [Tractarian issue]
Afterword [Tractarian issue]
445 Herbert F. Tucker
An Ebbigrammar of Motives; or, Ba for Short
An Ebbigrammar of Motives; or, Ba for Short
311 The Year's Work in Victorian Poetry [End Page 605]
237 Eynel Wardi
Hopkins the Romantic? The Question of Empathy in "Spring and Fall"
Hopkins the Romantic? The Question of Empathy in "Spring and Fall"
543 Elizabeth Woodworth
Elizabeth Barrett Browning, Coventry Patmore, and Alfred Tennyson on Napoleon III: The Hero-Poet and Carlylean Heroics
Elizabeth Barrett Browning, Coventry Patmore, and Alfred Tennyson on Napoleon III: The Hero-Poet and Carlylean Heroics
