Articles
Historica Passio: Early Modern Medicine, King Lear, and Editorial Practice KAARA L. PETERSON 1
"'What is thy body but a swallowing grave . . . ?'":Desire Underground in Titus Andronicus TINA MOHLER 23
"'Read it in me'": The Author's Will in Lucrece AMY GREENSTADT 45
English Epicures and Scottish Witches MARY FLOYD-WILSON 131
The Tragedians of the City? Q1 Hamlet and the Settlements of the 1590s PAUL MENZER 162
Shakespeare and the Quarrel Scene in Ardenof Faversham MACDONALD P. JACKSON 249
Editor's Note SCOTT L. NEWSTOK 294
Why A Midsummer Night's Dream? KENNETH BURKE 297
The Body of the Actor in Coriolanus EVE RACHELE SANDERS 387
The Problem of the More-than-One:Friendship, Calculation, and PoliticalAssociation in The Merchant of Venice HENRY S. TURNER 413
Notes
Two "New" Seventeenth-Century Portraits ofShakespeare JACKSON C. BOSWELL 309
The Winchester Crux in the First Folio's1 Henry VI KARL P. WENTERSDORF 443
Shakespeare Performed
Facing History, Facing Now: Deborah Warner's Julius Caesar at the Barbican Theatre CAROL CHILLINGTON RUTTER 71 [End Page 499]
"Tell thy story": Mary Zimmerman's Pericles SUZANNE GOSSETT 183
"'Who is it that can tell me who I am?' / 'Lear's shadow'": A Taiwanese Actor's Personal Response to King Lear RURU LI 195
Shakespeare Onstage in England: March to December 2005 PATRICIA TATSPAUGH 318
Political Tyrants: The 2005 Jacobean Season at the Swan LOIS POTTER 450
Book Reviews
Dympna Callaghan, ed. Romeo and Juliet: Texts and Contexts. IAN FREDERICK MOULTON 86
Willy Maley and Andrew Murphy, eds. Shakespeare and Scotland. RONALD J. BOLING 88
Ton Hoenselaars, ed. Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad. MANFRED PFISTER 91
Hugh Macrae Richmond. Shakespeare's Theatre: A Dictionary of His Stage Context. TIFFANY STERN 94
Michele Marrapodi, ed. Shakespeare, Italy, and Intertexuality. SONIA MASSAI 97
Ton Hoenselaars, ed. Shakespeare and the Language of Translation. JERZY LIMON 100
Kim C. Sturgess. Shakespeare and the American Nation. RICHARD BURT 102
Gabriel Egan. Shakespeare and Marx. DOUGLAS BRUSTER 105
Arthur Freeman and Janet Ing Freeman. John Payne Collier: Scholarship and Forgery in the Nineteenth Century. BERNICE W. KLIMAN 108 [End Page 500]
Yves Bonnefoy. Shakespeare & the French Poet. John Naughton, ed. RUTH MORSE 110
Irena R. Makaryk. Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics. GORAN V. STANIVUKOVIC 112
Paul Cefalu. Revisionist Shakespeare: Transitional Ideologies in Texts and Contexts. WILLIAM N. WEST 114
Sarah Hatchuel and Nathalie Vienne-Guerrin, eds. Shakespeare on Screen: "A Midsummer Night's Dream."
Michael Anderegg. Cinematic Shakespeare. LAURIE E. OSBORNE 117
Virginia Mason Vaughan. Performing Blackness on English Stages, 1500–1800. IAN SMITH 216
Christopher Warley. Sonnet Sequences and Social Distinction in Renaissance England. DAVID HAWKES 218
Phyllis Rackin. Shakespeare and Women. REBECCA LAROCHE 220
John Michael Archer. Citizen Shakespeare: Freemen and Aliens in the Language of the Plays. ALEXANDER LEGGATT 222
Julia Reinhard Lupton. Citizen-Saints: Shakespeare and Political Theology. KRISTEN POOLE 225
Ros King. "Cymbeline": Constructions of Britain. DAVID J. BAKER 228
Ewan Fernie, ed. Spiritual Shakespeares. GRAHAM HAMMILL 229
Bridget Escolme. Talking to the Audience: Shakespeare, Performance, Self. PASCALE AEBISCHER 232
Lynette Hunter and Peter Lichtenfels, eds. Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies. RIC KNOWLES 235
John Pemble. Shakespeare Goes to Paris: How the Bard Conquered France. RICHARD SCHOCH 237 [End Page 501]
Cynthia Marshall, ed. Shakespeare in Production: "As You Like It." JULIET DUSINBERRE 344
John Wilders, ed. Shakespeare in Production: "Macbeth." KATHERINE ROWE 346
Frances A. Shirley, ed. Shakespeare in Production: "Troilus and Cressida." DANIEL JUAN GIL 349
Neil Rhodes. Shakespeare and the Origins of English. RUSS MCDONALD 351
Garrett A. Sullivan Jr. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster. ZACKARIAH C. LONG 353
Gail Kern Paster. Humoring the Body: Emotionsand the Shakespearean Stage. TANYA POLLARD 356
Maurice Hunt. Shakespeare's Religious Allusiveness:Its Play and Tolerance. ANTHONY LOW 359
Celia R. Daileader. Racism, Misogyny, and the "Othello" Myth: Inter-Racial Couples from Shakespeare to Spike...