Abstract

This introduction traces the playwrighting and directing processes in the creation of thenew kyōgen, Japannequins. The combined suggestions of producers, playwright, director, and actors created humor from intercultural bilingual frictions and depicted the discrepancy between the traditional and contemporary worlds.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 124-143
Launched on MUSE
2007-03-12
Open Access
No
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