Abstract

This report discusses the transpositions, adaptations, and original departures from kyōgen and music hall that Henry Livings used in creating his delightful popular sketches, Pongo Plays, performed in England in the 1960s and 1970s.

pdf

Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 269-277
Launched on MUSE
2007-03-12
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.